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2010考研英语考题(考生回忆版)及参考答案解析

2022-06-29

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以下是小昭为大家整理的历年英语考题(考生回忆版)及答案解析,希望对即将参加考研的同学们有所帮助。

Section I Use of English

Directions:

Read the following text. Choose the best word(s) for each numbered blank and mark A, B, C or D on ANSWER SHEET 1. (10 points)

In 1924 America’s National Research Council sent two engineers to supervise a series of experiments at a telephone-parts factory called the Hawthorne Plant near Chicago. It hoped they would learn how shop-floor lighting 1 workers’ productivity. Instead, the studies ended 2 giving their name to the “Hawthorne effect,” the extremely influential idea that the very 3 of being experimented upon changed subjects’ behavior.

The idea arose because of the 4 behavior of the women in the plant. According to 5 of the experiments, their hourly output rose when lighting was increased, but also when it was dimmed. It did not 6 what was done in the experiment; 7 something was changed, productivity rose. A(n) 8 that they were being experimented upon seemed to be 9 to alter workers’ behavior 10 itself.

After several decades, the same data were 11 to econometric analysis. The Hawthorne experiments had another surprise in store. 12 the descriptions on record, no systematic 13 was found that levels of productivity were related to changes in lighting.

It turns out that the peculiar way of conducting the experiments may have led to 14 interpretations of what happened. 15 , lighting was always changed on a Sunday. When work started again on Monday, output 16 rose compared with the previous Saturday and 17 to rise for the next couple of days. 18 , a comparison with data for weeks when there was no experimentation showed that output always went up on Mondays. Workers 19 to be diligent for the first few days of the week in any case, before 20 a plateau and then slackening off. This suggests that the alleged “Hawthorne effect” is hard to pin down.

1. [A] affected[B] achieved[C] extracted[D] restored

2. [A] at[B] up[C] with[D] off

3. [A] truth[B] sight[C] act[D] proof

4. [A] controversial[B] perplexing[C] mischievous[D] ambiguous

5. [A] requirements[B] explanations[C] accounts[D] assessments

6. [A] conclude[B] matter[C] indicate[D] work

7. [A] as far as[B] for fear that[C] in case that[D] so long as

8. [A] awareness[B] expectation[C] sentiment[D] illusion

9. [A] suitable[B] excessive[C] enough[D] abundant

10.[A] about[B] for[C] on[D] by

11.[A] compared[B] shown[C] subjected[D] conveyed

12.[A] Contrary to[B] Consistent with[C] Parallel with[D] Peculiar to

13.[A] evidence[B] guidance[C] implication[D] source

14.[A] disputable[B] enlightening[C] reliable[D] misleading

15. [A] In contrast[B] For example[C] In consequence[D] As usual

16.[A] duly[B] accidentally[C] unpredictably[D] suddenly

17.[A] failed[B] ceased[C] started[D] continued

18.[A] Therefore[B] Furthermore[C] However[D] Meanwhile

19.[A] attempted[B] tended[C] chose[D] intended

20.[A] breaking[B] climbing[C] surpassing[D] hitting

Section II Reading Comprehension

Part A Directions:

Read the following four texts. Answer the questions below each text by choosing A, B, C or D. Mark your answers on ANSWER SHEET 1. (40 points)

Text 1

Of all the changes that have taken place in English-language newspapers during the past quarter-century, perhaps the most far-reaching has been the inexorable decline in the scope and seriousness of their arts coverage.

It is difficult to the point of impossibility for the average reader under the age of forty to imagine a time when high-quality arts criticism could be found in most big-city newspapers. Yet a considerable number of the most significant collections of criticism published in the 20th century consisted in large part of newspaper reviews. To read such books today is to marvel at the fact that their learned contents were once deemed suitable for publication in general-circulation dailies.

We are even farther removed from the unfocused newspaper reviews published in England between the turn of the 20th century and the eve of World War II, at a time when newsprint was dirt-cheap and stylish arts criticism was considered an ornament to the publications in which it appeared. In those far-off days, it was taken for granted that the critics of major papers would write in detail and at length about the events they covered. Theirs was a serious business, and even those reviewers who wore their learning lightly, like George Bernard Shaw and Ernest Newman, could be trusted to know what they were about. These men believed in journalism as a calling, and were proud to be published in the daily press. “So few authors have brains enough or literary gift enough to keep their own end up in journalism, ” Newman wrote, “that I am tempted to define ‘journalism’ as ‘a term of contempt applied by writers who are not read to writers who are ’.”

Unfortunately, these critics are virtually forgotten. Neville Cardus, who wrote for the Manchester Guardian from 1917 until shortly before his death in 1975, is now known solely as a writer of essays on the game of cricket. During his lifetime, though, he was also one of England’s foremost classical-music critics, and a stylist so widely admired that his Autobiography (1947) became a best-seller. He was knighted in 1967, the first music critic to be so honored. Yet only one of his books is now in print, and his vast body of writings on music is unknown save to specialists.

Is there any chance that Cardus’s criticism will enjoy a revival? The prospect seems remote. Journalistic tastes had changed long before his death, and postmodern readers have little use for the richly upholstered Vicwardian prose in which he specialized. Moreover, the amateur tradition in music criticism has been in headlong retreat.

21. It is indicated in Paragraphs 1 and 2 that

[A] arts criticism has disappeared from big-city newspapers.

[B] English-language newspapers used to carry more arts reviews.

[C] high-quality newspapers retain a large body of readers.

[D] young readers doubt the suitability of criticism on dailies.

22. Newspaper reviews in England before World War II were characterized by

[A] free themes.

[B] casual style.

[C] elaborate layout.

[D] radical viewpoints.

23. Which of the following would Shaw and Newman most probably agree on?

[A] It is writers’ duty to fulfill journalistic goals.

[B] It is contemptible for writers to be journalists.

[C] Writers are likely to be tempted into journalism.

[D] Not all writers are capable of journalistic writing.

24. What can be learned about Cardus according to the last two paragraphs?

[A] His music criticism may not appeal to readers today.

[B] His reputation as a music critic has long been in dispute.

[C] His style caters largely to modern specialists.

[D] His writings fail to follow the amateur tradition.

25. What would be the best title for the text?

[A] Newspapers of the Good Old Days

[B] The Lost Horizon in Newspapers

[C] Mournful Decline of Journalism

[D] Prominent Critics in Memory

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2010年考研英语考题(考生回忆版)答案及解析.pdf

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